It offers five overlapping bands that can be set to work as a parametric bell, a shelf or a HP/LP filter. In the light of that, today we take a look at a plugin that’s been around for almost ten years, yet still gets a lot of praise from our peers: the Epure Equalizer, made by the Frenchmen at Flux since 2006.įlux offers us a minimum-phase equalizer, wired in-series and pretty much without any bells and whistles. Each of those aspects have different weights for each one of us - that goes without saying - but I strongly feel like this is a good criteria for putting an extremely common and abundant tool such as an equalizer into some perspective. I’d add a third criteria for cost, but luckily for us there’s something for every pocket as the competition immensely escalated in the last 10 years, but its definitely something one takes into account - especially when they already have a bunch of options in their plugin folders. Therefore, some focus is strongly advised when hunting for those perfect curves to shape your sounds.įor the purposes of this reviewer, it usually boils down to two fundamental aspects: sound quality and workflow - the later being a sum of stability, resource consumption and ease of use. Just look at our New Product Alert section and you’ll quickly realize that new equalizer offerings are made all the time and threads like “is that EQ better than that EQ?” are omnipresent all across this board. However, choosing one can easily become a problem given the myriad of superb options that are out there, and its not hard to get lost in endless testing until the end of our lives. Getting a good sounding equalizer is definitively not a hard thing to do in today’s hyper-crowded DAW plugin market.
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